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Main Squeeze 2021

On Aesthetic Experience

	        for Ryan Jarman

What Wordsworth did not know (and
it’s not his fault) is who cares
about the music of the howling wind,
that sublime and desperate tenor
mixing with the soprano of broken
branches and birdsong in the brazen
breeze? 

Tonight, I’m already annoyed.
I’ve had two glasses of rosé,
and I’m in the shower avoiding
the water on my hair and
singing along with

Ryan and his sharp and twanging
electric guitar—the voice of my blood
if it could sing along this plea
of the teenage suburbanite that sleeps
inside us all: Gonna have to try
finding my place in life/But I’ll be
alright if I’m just/In the neon night 
looking for another sign/Drinking
Italian wine.

I wish that Wordsworth could see
this steamy sing-along and my stomps
in the slippery tub, but he was born
too soon, and here I am now, joy bubbling
through my veins instead of rage; oh, how
did I ever manage to be born
on this earth, so forsaking
the precious gales of poetry 
in favor of a simple song, written
by Ryan holed up in Ridgewood
breathing all at the same
time the same silent air,
the exhaust floating up
from the cars speeding past
the graveyard on the Jackie
Robinson Parkway?

Brittany Ober is an English teacher and mom by day and a philosophy student and poet by night. Her poetry has been published in Gutter Eloquence, Ample Remains, The Aurora Journal, and Words & Whispers.