Had I not been a boy but a triangle instead, a patch of asphalt shaped thereof, or the steel that keeps the swing-set in the ground at Delaney Park, you would’ve seen me, touched me, remembered me. As a boy (there are a million boys), all I did was stutter and laugh, look up at the obnoxious sun that was my father’s face and his before. I never asked for a name, a body, or their blood. I could’ve been a bicycle instead, or a downtown building where the women gathered if it rained. I never wanted to be at all, except, perhaps, a baseball card or a bowl of fruit. They would’ve liked me better, then, without communions and homecoming dates, all those accouterments of body and voice. How pitiful they are; how lonely I was at family reunions, Halloween bashes, Easter Sundays in the snow. In a photograph I wore a beige sweater; in another dark pants with patches for knees. I was a good boy, but I should’ve been a monster made of steel or the Y-Street Bridge attaching Akron to the rest of the world, to Cleveland and Pittsburgh, Detroit and Chicago, to every woman and man desiring to be another.
Carl Boon is the author of the full-length collection Places & Names: Poems (The Nasiona Press, 2019). His writing has appeared in many journals and magazines, including Prairie Schooner, Posit, and The Maine Review. He received his Ph.D. in Twentieth-Century American Literature from Ohio University in 2007, and currently lives in Izmir, Turkey, where he teaches courses in American culture and literature at Dokuz Eylül University.
